Top 10 Apple Music — Top Albums (US) — May 15, 2026

MAID OF HONOUR, also from Drake's triple drop, lands at #2—a surprise, as many fans expected this to be the sleeper hit of the three, suggesting wedding playlist crossover appeal.

HABIBTI completes Drake's top-three sweep, drawing on Middle Eastern influences that have become a signature of his 2020s sound, and likely benefiting from high suspense around its release.

Noah Kahan's The Great Divide: The Last Of The Bugs holds at #4, released on April 25 but still streaming strong in the US, proving his folk-pop breakout has staying power beyond the initial wave.

Chris Brown's BROWN sits at #5 with a self-titled project that marks a full-circle moment, but its legacy is complicated—streaming numbers reflect fan loyalty, not critical context.

Ella Langley's Dandelion climbs to #6 with a country album that's found a second wind after its initial April debut, likely pushed by a viral single on TikTok that reignited interest.

Don Toliver's OCTANE remains at #7, a January 30 release that has survived months of new competition thanks to its trap-industrial sound and a strong fan following that streams the album front to back.

Morgan Wallen's I'm The Problem holds at #8 a full year after its May 2025 release, a testament to the durability of country streaming and his massive US base that treats the album as a playlist staple.

LUCKI's Dr*gs R Bad debuts at #9 despite its deliberately provocative title and underground status, revealing a cult fanbase that streams with an intensity that rivals mainstream hits.

Michael Jackson's Thriller re-emerges at #10 more than 43 years after its release, likely triggered by a recent documentary or algorithmic playlist revival, proving that no song is ever truly dead on streaming.

MAID OF HONOUR, also from Drake's triple drop, lands at #2—a surprise, as many fans expected this to be the sleeper hit of the three, suggesting wedding playlist crossover appeal.

HABIBTI completes Drake's top-three sweep, drawing on Middle Eastern influences that have become a signature of his 2020s sound, and likely benefiting from high suspense around its release.

Noah Kahan's The Great Divide: The Last Of The Bugs holds at #4, released on April 25 but still streaming strong in the US, proving his folk-pop breakout has staying power beyond the initial wave.

Chris Brown's BROWN sits at #5 with a self-titled project that marks a full-circle moment, but its legacy is complicated—streaming numbers reflect fan loyalty, not critical context.

Ella Langley's Dandelion climbs to #6 with a country album that's found a second wind after its initial April debut, likely pushed by a viral single on TikTok that reignited interest.

Don Toliver's OCTANE remains at #7, a January 30 release that has survived months of new competition thanks to its trap-industrial sound and a strong fan following that streams the album front to back.

Morgan Wallen's I'm The Problem holds at #8 a full year after its May 2025 release, a testament to the durability of country streaming and his massive US base that treats the album as a playlist staple.

LUCKI's Dr*gs R Bad debuts at #9 despite its deliberately provocative title and underground status, revealing a cult fanbase that streams with an intensity that rivals mainstream hits.

Michael Jackson's Thriller re-emerges at #10 more than 43 years after its release, likely triggered by a recent documentary or algorithmic playlist revival, proving that no song is ever truly dead on streaming.