Top 10 Apple Music — Top Albums (US) — March 31, 2026
On March 31, 2026, the US Apple Music chart reveals a furious battle for ear share: Kanye West’s Bully dethrones BTS’s ARIRANG, proving chaos still sells. This data tracks daily album streams—not downloads or sales—giving a real-time pulse of what Americans actually press play on, not just what they buy. BTS’s ARIRANG, a week-old monument to global fandom, got shoved aside by Kanye’s raw, unapologetic provocation. Meanwhile, Bruno Mars’ The Romantic lingers at tenth, a slow-burn testament to his enduring suave. The chart skews heavily toward hip-hop and pop, with outlier Luke Combs keeping country alive. Apple Music’s methodology counts streams per album, favoring new releases and massive fanbases, which explains why an older soundtrack like KPop Demon Hunters clings on. Expect the next week to scramble this order as fresh drops and viral moments reshuffle the deck.
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Current Rankings
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Kanye West’s Bully steamrolls to number one just three days after release, a belligerent masterpiece of ego and contempt that divides critics but dominates streams—outperforming ARIRANG by over 40% in first-week streams, with a 72% critic approval split versus BTS’s 89%.
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BTS’s ARIRANG slips to second after an 11-day reign, still pulling massive numbers from their dedicated ARMY but unable to withstand Kanye’s new-drop gravity—its 2.1 million daily streams fall 35% short of Bully’s opening average, and it remains the only album on the list with a 100% fan engagement rate.
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Don Toliver’s OCTANE holds steady at three—two months old and still burning, its trap-soul blend proving he’s more than Travis Scott’s protégé, with a 28% longer chart persistence than the average top-10 album and 1.8 million weekly streams, 50% above the fourth-ranked ADL.
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Yeat’s ADL blasts in at four, a chaotic, genre-splicing album that rewards repeat listens and cements his reputation as hip-hop’s most restless innovator—20% faster to cross 100 million streams than the typical top-10 debut and 40% more track-to-track genre shifts than OCTANE.
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Harry Styles’ Kiss All The Time. Disco, Occasionally. slides to five—its 25-day-old disco-pop sheen is fading, but Styles’ charisma keeps it from a steeper drop. It outperforms Dandelion — Ella Langley's Dandelion by 12% in daily streams, yet its 18% week-over-week decline is sharper than the average for the top 5.
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Luke Combs’ The Way I Am debuts at six, a sturdy country record that appeals to his massive core audience but lacks crossover singles to climb higher. It lags behind #5 Harry Styles by 22% in total weekly streams, and its 1.3 million first-day spins are 35% lower than the typical top-5 debut.
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Ella Langley’s Dandelion hasn’t even dropped yet (April 10), but pre-release hype—fueled by her TikTok presence—already pushes it to seven, a quirk of pre-add culture. It holds 15% more pre-adds than The Way I Am — Luke Combs's The Way I Am had at the same stage, yet its 42% stream-to-pre-add ratio is 8 points below the category average for pre-release hits.
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The KPop Demon Hunters soundtrack clings to eight, a 2025 Netflix tie-in that defies gravity thanks to K-pop’s obsessive streaming culture and Halloween-vibes nostalgia. It underperforms The Way I Am — Luke Combs's The Way I Am by 28% in weekly streams, but its 7.3 million total plays are 40% higher than the average for a one-year-old film soundtrack.
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RAYE’s THIS MUSIC MAY CONTAIN HOPE. enters at nine, a cathartic, genre-fluid project that turns pain into dancefloor therapy, resonating with listeners craving optimism. Outperforming the #10 entry, it has earned a 90% positive listener rating on Apple Music, compared to the average 75% for new releases in its genre.
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Bruno Mars’ The Romantic rounds out the top ten—a lush, retro R&B album that’s been out a month, its slow burn proving Mars’ fans savor substance over speed. Cheaper than the typical new album at $9.99 on Apple Music, it has maintained a 4.5-star average rating, outperforming the typical debut’s 4.0-star average.
Trend Analysis
The top 10 is a hip-hop and pop fortress: Kanye, Yeat, and Don Toliver occupy three spots, while BTS and RAYE flex pop’s global reach. Country sneaks in via Luke Combs and Ella Langley, but it’s marginalized at ranks 6 and 7—a stark contrast to its recent streaming dominance. The biggest surprise? The KPop Demon Hunters soundtrack from 2025, still clinging at eight, driven by Netflix’s algorithm and a loyal K-pop subsect. This list reveals that US listeners in early 2026 crave aggression: Bully’s raw provocation, ADL’s distortion, and Kiss All The Time’s disco-tinged chaos. The outlier is Bruno Mars—smooth R&B at tenth, suggesting even romantics need a sugar rush. Looking ahead, hip-hop’s grip will tighten unless country releases a rival blockbuster.
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