Top 10 Apple Music — Top Albums (US) — April 3, 2026

BTS’s ARIRANG, a synth-pop odyssey released March 20, holds firm at #2, its global ARMY keeping daily streams high despite Kanye’s chart-topping momentum.

Don Toliver’s OCTANE, out since January 30, still revs at #3, riding a slow-burn viral single that’s converted album streams into a months-long chart residency.

Ella Langley’s Dandelion, not yet released until April 10, storms #4 on pre-release hype alone—a rare feat powered by lead single streaming and playlist adds.

Harry Styles’s Kiss All The Time. Disco, Occasionally., a March 6 release, lands at #5 with its absurd title and glittery pop production, proving Styles’s brand still sells albums over singles.

The KPop Demon Hunters soundtrack, a Netflix film tie-in from June 2025, returns at #6, likely buoyed by a new streaming push or seasonal viewership spike for the movie.

Luke Combs’s The Way I Am, out March 20, slides to #7 as bro-country’s steady hand, but its drop from opening week reflects a crowded field rather than lost appeal.

Yeat’s ADL, released March 27, locks #8 with its abrasive, auto-tuned chaos, appealing to a younger demo that treats album drops like social media events.

Morgan Wallen’s I’m The Problem, a May 2025 holdover, lingers at #9 from sheer catalog endurance—a sign that country streaming habits treat albums as background companions.

RAYE’s THIS MUSIC MAY CONTAIN HOPE., from March 27, closes the top 10 at #10, a confessional pop album that cuts through the noise with raw vocals and a timely title.

BTS’s ARIRANG, a synth-pop odyssey released March 20, holds firm at #2, its global ARMY keeping daily streams high despite Kanye’s chart-topping momentum.

Don Toliver’s OCTANE, out since January 30, still revs at #3, riding a slow-burn viral single that’s converted album streams into a months-long chart residency.

Ella Langley’s Dandelion, not yet released until April 10, storms #4 on pre-release hype alone—a rare feat powered by lead single streaming and playlist adds.

Harry Styles’s Kiss All The Time. Disco, Occasionally., a March 6 release, lands at #5 with its absurd title and glittery pop production, proving Styles’s brand still sells albums over singles.

The KPop Demon Hunters soundtrack, a Netflix film tie-in from June 2025, returns at #6, likely buoyed by a new streaming push or seasonal viewership spike for the movie.

Luke Combs’s The Way I Am, out March 20, slides to #7 as bro-country’s steady hand, but its drop from opening week reflects a crowded field rather than lost appeal.

Yeat’s ADL, released March 27, locks #8 with its abrasive, auto-tuned chaos, appealing to a younger demo that treats album drops like social media events.

Morgan Wallen’s I’m The Problem, a May 2025 holdover, lingers at #9 from sheer catalog endurance—a sign that country streaming habits treat albums as background companions.

RAYE’s THIS MUSIC MAY CONTAIN HOPE., from March 27, closes the top 10 at #10, a confessional pop album that cuts through the noise with raw vocals and a timely title.