Top 10 Apple Music — Top Albums (US) — March 28, 2026

BTS’s *ARIRANG* holds strong at #2 a full week after release — a testament to the group’s ability to maintain chart dominance through coordinated streaming from millions of US fans.

Don Toliver’s *OCTANE*, out since January 30, still rides at #3, proving the rapper’s sticky melodic style has turned this album into a long-term streaming staple, not a flash in the pan.

Luke Combs’s *The Way I Am*, released March 20, lands at #4, showing country fans on Apple Music respond quickly to new drops and keep albums in rotation for weeks.

Harry Styles’s *Kiss All The Time. Disco, Occasionally.* holds at #5 after three weeks — his pop pivot to disco continues to convert skeptics into loyal streamers.

Chief Keef’s *Skeletor* debuts at #6 just a day after its March 27 release, confirming his enduring underground relevance and a core audience that still prioritizes streaming.

Ella Langley’s *Dandelion* climbs to #7 even before its April 10 release date, likely fueled by pre-release singles and viral clips — a rare pre-debut chart appearance.

Melanie Martinez’s *HADES* lands at #8, released March 27, capitalizing on her theatrical aesthetic and a dedicated fanbase that treats every album rollout as a synchronized event.

The *KPop Demon Hunters* soundtrack, released June 20, 2025, defies the odds at #9 — a nine-month-old Netflix tie-in still charting suggests persistent algorithm discovery or a fresh promotional wave.

Fetty Wap’s *Zavier* rounds out the top 10 at #10, released March 27 — a comeback that reminds listeners of his 2014 dominance, though his current streaming base is smaller but loyal.

BTS’s *ARIRANG* holds strong at #2 a full week after release — a testament to the group’s ability to maintain chart dominance through coordinated streaming from millions of US fans.

Don Toliver’s *OCTANE*, out since January 30, still rides at #3, proving the rapper’s sticky melodic style has turned this album into a long-term streaming staple, not a flash in the pan.

Luke Combs’s *The Way I Am*, released March 20, lands at #4, showing country fans on Apple Music respond quickly to new drops and keep albums in rotation for weeks.

Harry Styles’s *Kiss All The Time. Disco, Occasionally.* holds at #5 after three weeks — his pop pivot to disco continues to convert skeptics into loyal streamers.

Chief Keef’s *Skeletor* debuts at #6 just a day after its March 27 release, confirming his enduring underground relevance and a core audience that still prioritizes streaming.

Ella Langley’s *Dandelion* climbs to #7 even before its April 10 release date, likely fueled by pre-release singles and viral clips — a rare pre-debut chart appearance.

Melanie Martinez’s *HADES* lands at #8, released March 27, capitalizing on her theatrical aesthetic and a dedicated fanbase that treats every album rollout as a synchronized event.

The *KPop Demon Hunters* soundtrack, released June 20, 2025, defies the odds at #9 — a nine-month-old Netflix tie-in still charting suggests persistent algorithm discovery or a fresh promotional wave.

Fetty Wap’s *Zavier* rounds out the top 10 at #10, released March 27 — a comeback that reminds listeners of his 2014 dominance, though his current streaming base is smaller but loyal.