Top 10 Apple Music — Top Albums (US) — April 5, 2026

Don Toliver’s OCTANE sits at #2, its airy trap production sustaining third-month traction that few hip-hop albums achieve.

BTS’s ARIRANG climbs to #3, harnessing global ARMY streams and a Korean folk-infused title track that bridges tradition and pop.

Ella Langley’s Dandelion debuts at #4 before its April 10 release, driven by viral country-pop singles and pre-order streaming.

Tory Lanez’s LOL : SLUTTY BASS lands at #5, its provocative title and genre-melting beats sparking debate and repeat listens.

The KPop Demon Hunters soundtrack holds at #6, a Netflix film tie-in from mid-2025 still riding OST and dance challenge trends.

Nine Vicious’s EMOTIONS enters at #7, its raw emo-rap tracks connecting with younger listeners seeking cathartic anthems.

Harry Styles’ Kiss All The Time. Disco, Occasionally. slips to #8, its retro-funk staying power fueled by TikTok dance edits.

Morgan Wallen’s I’m The Problem persists at #9, a year after release, proving his country storytelling holds streaming longevity.

Luke Combs’ The Way I Am rounds out the top 10, its March release maintaining steady streams through bro-country loyalty.

Don Toliver’s OCTANE sits at #2, its airy trap production sustaining third-month traction that few hip-hop albums achieve.

BTS’s ARIRANG climbs to #3, harnessing global ARMY streams and a Korean folk-infused title track that bridges tradition and pop.

Ella Langley’s Dandelion debuts at #4 before its April 10 release, driven by viral country-pop singles and pre-order streaming.

Tory Lanez’s LOL : SLUTTY BASS lands at #5, its provocative title and genre-melting beats sparking debate and repeat listens.

The KPop Demon Hunters soundtrack holds at #6, a Netflix film tie-in from mid-2025 still riding OST and dance challenge trends.

Nine Vicious’s EMOTIONS enters at #7, its raw emo-rap tracks connecting with younger listeners seeking cathartic anthems.

Harry Styles’ Kiss All The Time. Disco, Occasionally. slips to #8, its retro-funk staying power fueled by TikTok dance edits.

Morgan Wallen’s I’m The Problem persists at #9, a year after release, proving his country storytelling holds streaming longevity.

Luke Combs’ The Way I Am rounds out the top 10, its March release maintaining steady streams through bro-country loyalty.