Top 10 Apple Music — Top Albums (US) — April 9, 2026

Don Toliver’s OCTANE, out since January 30, still rides high at #2, fueled by atmospheric trap beats and a string of viral TikTok clips. It’s become the go-to soundtrack for high-energy playlists.

BTS’s ARIRANG, a March 20 release that blends traditional Korean folk melodies with modern pop production, secures #3, proving the group’s US fanbase remains fiercely loyal even amid solo projects.

Morgan Wallen’s I’m The Problem, from May 2025, stubbornly sits at #4, exemplifying how his bro-country sound has become a streaming staple—over a year old and still outpacing most new albums.

Harry Styles’ Kiss All The Time. Disco, Occasionally., a March 6 release, lands at #5 with its playful mix of disco and rock, but its relatively mid-tier rank suggests listeners are craving grittier sounds this week.

Ella Langley’s Dandelion, released only yesterday, debuts at #6—a meteoric rise fueled by her sharp songwriting and a viral acoustic version. She’s breaking through Nashville’s male-dominated charts.

The KPop Demon Hunters soundtrack, by the fictional group of the same name alongside HUNTR/X and Saja Boys, sneaks into #7—a Netflix tie-in that proves IP-driven music can compete with real-world megastars.

Luke Combs’ The Way I Am, released March 20, takes #8, delivering his signature blend of heartland rock and country. It’s solid but overshadowed by fresher country releases in the top 10.

Peso Pluma & Tito Double P’s DINASTÍA (DELUXE), out February 26, lands at #9, reflecting the surge of regional Mexican music among US listeners—a genre that’s now undeniable on mainstream charts.

Olivia Dean’s The Art of Loving, from September 2025, rounds out the top 10 at #10. Her soulful, introspective album has quietly built a devoted cult following, enduring long after its release.

Don Toliver’s OCTANE, out since January 30, still rides high at #2, fueled by atmospheric trap beats and a string of viral TikTok clips. It’s become the go-to soundtrack for high-energy playlists.

BTS’s ARIRANG, a March 20 release that blends traditional Korean folk melodies with modern pop production, secures #3, proving the group’s US fanbase remains fiercely loyal even amid solo projects.

Morgan Wallen’s I’m The Problem, from May 2025, stubbornly sits at #4, exemplifying how his bro-country sound has become a streaming staple—over a year old and still outpacing most new albums.

Harry Styles’ Kiss All The Time. Disco, Occasionally., a March 6 release, lands at #5 with its playful mix of disco and rock, but its relatively mid-tier rank suggests listeners are craving grittier sounds this week.

Ella Langley’s Dandelion, released only yesterday, debuts at #6—a meteoric rise fueled by her sharp songwriting and a viral acoustic version. She’s breaking through Nashville’s male-dominated charts.

The KPop Demon Hunters soundtrack, by the fictional group of the same name alongside HUNTR/X and Saja Boys, sneaks into #7—a Netflix tie-in that proves IP-driven music can compete with real-world megastars.

Luke Combs’ The Way I Am, released March 20, takes #8, delivering his signature blend of heartland rock and country. It’s solid but overshadowed by fresher country releases in the top 10.

Peso Pluma & Tito Double P’s DINASTÍA (DELUXE), out February 26, lands at #9, reflecting the surge of regional Mexican music among US listeners—a genre that’s now undeniable on mainstream charts.

Olivia Dean’s The Art of Loving, from September 2025, rounds out the top 10 at #10. Her soulful, introspective album has quietly built a devoted cult following, enduring long after its release.