

Auto-updated from Apple Music โ Top Albums (US). Refreshed daily. Data for March 14, 2026.
Top 10 lists about this release
Curated by our music editors. Builds on critical consensus while letting community vote rewrite the order โ updated continuously.

Harry Styles goes full glitter-ball with 'Kiss All The Time. Disco, Occasionally.', a studio-nerd homage to 70s dance floors that vaults straight to #1. It's his riskiest album yet, and America is buying in.

Jack Harlow's 'Monica' drops into the #2 slot just one day after release, a smooth-talking R&B pivot that proves he can pivot from party raps without losing steam.

Don Toliver's 'OCTANE' settles at #3, a two-month-old trap-rock hybrid that refuses to fade, powered by his slurred melodies and autotune-laced production.

Bruno Mars' 'The Romantic' lands at #4, a sexy soul throwback that feels polished but predictableโhis first album in years to miss the top spot on debut week.

J. Cole's 'The Fall-Off' holds at #5, a dense lyrical project that rewards repeat listens, but its lack of radio flash keeps it from climbing higher.

'KPop Demon Hunters (Soundtrack from the Netflix Film)' remains at #6, a multi-artist album that's defied its movie-tie-in status to become a streaming staple.

Baby Keem's 'Ca$ino' debuts at #7, a chaotic, glitchy rap ride that doubles down on the experimental energy he brought to 'The Melodic Blue'.

Peso Pluma & Tito Double P's 'DINASTรA (DELUXE)' sits at #8, expanding regional Mexican's footprint with corridos that hit hard over trap drums.

Bad Bunny's 'DeBร TiRAR MรกS FOToS' clings to #9, a year after release, its Latin trap and dembow cocktail still echoing through US playlists.

Luke Combs' 'The Way I Am' rounds out the list at #10, a country comfort album that dropped today and already hooks listeners with its arena-sized choruses.
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Pop and hip-hop dominate this top 10, with Harry Styles (#1), Bruno Mars (#4), and Jack Harlow (#2) claiming the top spots. But the real story is the genre-blurring: Don Toliver's 'OCTANE' (#3) fuses trap with psychedelic rock, while Peso Pluma's 'DINASTรA (DELUXE)' (#8) proves corridos tumbados have gone mainstream. Surprising is the soundtrack entry at #6โ'KPop Demon Hunters'โa Netflix tie-in that's outlasted typical soundtrack hype. The list reveals American listeners are splitting attention between new releases and holdouts like Bad Bunny (#9) and Luke Combs (#10), whose country comfort keeps them relevant. Expect more cross-genre consolidation as audiences reject silos.
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Harry Styles goes full glitter-ball with 'Kiss All The Time. Disco, Occasionally.', a studio-nerd homage to 70s dance floors that vaults straight to #1. It's his riskiest album yet, and America is buying in.

Jack Harlow's 'Monica' drops into the #2 slot just one day after release, a smooth-talking R&B pivot that proves he can pivot from party raps without losing steam.

Don Toliver's 'OCTANE' settles at #3, a two-month-old trap-rock hybrid that refuses to fade, powered by his slurred melodies and autotune-laced production.

Bruno Mars' 'The Romantic' lands at #4, a sexy soul throwback that feels polished but predictableโhis first album in years to miss the top spot on debut week.

J. Cole's 'The Fall-Off' holds at #5, a dense lyrical project that rewards repeat listens, but its lack of radio flash keeps it from climbing higher.

'KPop Demon Hunters (Soundtrack from the Netflix Film)' remains at #6, a multi-artist album that's defied its movie-tie-in status to become a streaming staple.

Baby Keem's 'Ca$ino' debuts at #7, a chaotic, glitchy rap ride that doubles down on the experimental energy he brought to 'The Melodic Blue'.

Peso Pluma & Tito Double P's 'DINASTรA (DELUXE)' sits at #8, expanding regional Mexican's footprint with corridos that hit hard over trap drums.

Bad Bunny's 'DeBร TiRAR MรกS FOToS' clings to #9, a year after release, its Latin trap and dembow cocktail still echoing through US playlists.

Luke Combs' 'The Way I Am' rounds out the list at #10, a country comfort album that dropped today and already hooks listeners with its arena-sized choruses.

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