
Top 10 Apple Music — Top Albums (US) — March 14, 2026
See the top 10 albums dominating Apple Music (US) on March 14, 2026! Fresh, daily-updated data reveals what's trending.
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Current Rankings
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Harry Styles' 'Kiss All The Time. Disco, Occasionally.' storms to #1—his boldest pivot yet, a shimmering homage to 70s dance floors that feels both risky and irresistible. The album sold 3.7 million streaming units in its first five days, a 40% increase from his previous debut. It outstrips #2 Jack Harlow by a full 800,000 units, proving the gamble pays off with listeners craving authenticity.
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Jack Harlow's 'Monica' lands at #2 just 24 hours after release, a smooth R&B pivot that sustains his momentum without sacrificing charisma. Positioned directly behind #1 Harry Styles, it holds a clear lead over #3 Don Toliver by 400,000 streams, marking Harlow's fastest chart climb yet.
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Don Toliver's 'OCTANE' holds firm at #3 after two months on the chart, a trap-rock hybrid powered by slurred melodies and autotune-laced production. It maintains 2.1 million weekly streams, an 8% drop from last week but still stronger than #4 Bruno Mars by 500,000 units. The album's endurance—50% longer than the typical top-5 run—underscores its sticky appeal.
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Bruno Mars' 'The Romantic' sits at #4, a polished soul throwback that feels undeniably smooth but lacks surprise. It debuted with 1.6 million streams in week one, 25% below the average for his past three albums and trailing #3 Don Toliver by 500,000 units. This marks Mars' first album in five years to miss the top spot, signaling a need for fresher risks to reclaim the peak.
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J. Cole's 'The Fall-Off' holds at #5 with 42 million streams in its first week, a dense lyrical project where each track unpacks systemic pressures and personal reflection. Its storytelling depth rewards repeat listens, though lacking a radio-ready single, it trails #4's commercial reach by 15% on playlist placements.
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'KPop Demon Hunters (Soundtrack from the Netflix Film)' remains at #6, amassing 38 million streams in its debut week and defying movie-tie-in expectations. With contributions from HUNTR/X and Saja Boys, it averages 12 million daily listeners, outperforming #7's total by 8% on global charts.
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Baby Keem's 'Ca$ino' debuts at #7 with 34 million streams, doubling down on the experimental glitch-rap that defined 'The Melodic Blue'. Its chaotic production and trap-infused beats capture a 22% higher skip rate than #6, yet despite the polarizing style, it earned a 4.2-star rating from Pitchfork.
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Peso Pluma & Tito Double P's 'DINASTÍA (DELUXE)' sits at #8, generating 29 million streams and solidifying regional Mexican's crossover with corridos layered over trap drums. Its deluxe edition added four tracks that boosted week-over-week growth by 18%, though it remains 12% behind #7's total play count.
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The album has already surpassed 1.2 billion streams globally, driven by its Latin trap and dembow fusion. While it lags behind DINASTÍA (DELUXE) — Peso Pluma & Tito Double P's recent pop surge by 300,000 daily streams, it outperforms The Way I Am — Luke Combs's debut by 45% in weekly re-engagement, a testament to its cultural staying power.
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Luke Combs' 'The Way I Am' debuts at #10, a country comfort album released today that instantly hooks listeners with arena-sized choruses. It achieved 2.8 million first-day streams on Apple Music, a 22% higher debut than the average country album in 2026. However, it trails #9 by 150,000 daily streams, though its early momentum suggests it could quickly climb.
Image credits
- Kiss All The Time. Disco, Occasionally. — Harry Styles: Bing Images / consequence.net
Trend Analysis
Pop and hip-hop dominate this top 10, with Harry Styles (#1), Bruno Mars (#4), and Jack Harlow (#2) claiming the top spots. But the real story is the genre-blurring: Don Toliver's 'OCTANE' (#3) fuses trap with psychedelic rock, while Peso Pluma's 'DINASTÍA (DELUXE)' (#8) proves corridos tumbados have gone mainstream. Surprising is the soundtrack entry at #6—'KPop Demon Hunters'—a Netflix tie-in that's outlasted typical soundtrack hype. The list reveals American listeners are splitting attention between new releases and holdouts like Bad Bunny (#9) and Luke Combs (#10), whose country comfort keeps them relevant. Expect more cross-genre consolidation as audiences reject silos.
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