Top 10 Apple Music — Top Albums (US) — March 19, 2026

Don Toliver’s 'OCTANE' revs at #2, fueled by 18 million streams and a noisy, industrial-rap sound that pushes his hyper-masculine persona into clattering, distorted territory — a sharp contrast to the smooth lovers above and below him.

Bruno Mars’s 'The Romantic' settles at #3 with 15 million streams, a lush, throwback R&B project that leans hard into 70s balladry — it’s charming but feels almost polite compared to the bolder experiments around it.

Jack Harlow’s 'Monica' lands at #4 with 14 million streams, a concise rap album that trades his usual bravado for confessional storytelling — fans rewarded the vulnerability, though critics found it uneven.

J. Cole’s 'The Fall-Off' holds at #5 with 12 million streams six weeks after release, a dense, introspective rap album that rewards repeat listens — it’s his most personal work, and it’s aging better than most February releases.

The 'KPop Demon Hunters' soundtrack — a Netflix film tie-in from mid-2025 — jumps to #6 with 11 million streams, powered by fandoms of KPop Demon Hunters Cast, HUNTR/X, and Saja Boys turning a year-old promo into a streaming event.

Peso Pluma & Tito Double P’s 'DINASTÍA (DELUXE)' sits at #7 with 10 million streams, expanding regional Mexican corridos with trap beats — it’s a reminder that US Latino audiences are reshaping the mainstream, not just participating in it.

Olivia Dean’s 'The Art of Loving' holds at #8 with 9 million streams, a soulful, intimate album that’s been quietly building since September 2025 — its slow-burn success suggests listeners are craving warmth and depth after a flood of loud releases.

Bad Bunny’s 'DeBÍ TiRAR MáS FOToS' remains at #9 with 8 million streams over a year after release, a testament to its cultural gravity as a Spanish-language trap album that refuses to fade — it’s now a streaming evergreen.

Baby Keem’s 'Ca$ino' rounds out the top 10 with 7 million streams, a lean, aggressive hip-hop project that’s more minimalist than his previous work — it’s sharp but feels like a placeholder before his next big swing.

Don Toliver’s 'OCTANE' revs at #2, fueled by 18 million streams and a noisy, industrial-rap sound that pushes his hyper-masculine persona into clattering, distorted territory — a sharp contrast to the smooth lovers above and below him.

Bruno Mars’s 'The Romantic' settles at #3 with 15 million streams, a lush, throwback R&B project that leans hard into 70s balladry — it’s charming but feels almost polite compared to the bolder experiments around it.

Jack Harlow’s 'Monica' lands at #4 with 14 million streams, a concise rap album that trades his usual bravado for confessional storytelling — fans rewarded the vulnerability, though critics found it uneven.

J. Cole’s 'The Fall-Off' holds at #5 with 12 million streams six weeks after release, a dense, introspective rap album that rewards repeat listens — it’s his most personal work, and it’s aging better than most February releases.

The 'KPop Demon Hunters' soundtrack — a Netflix film tie-in from mid-2025 — jumps to #6 with 11 million streams, powered by fandoms of KPop Demon Hunters Cast, HUNTR/X, and Saja Boys turning a year-old promo into a streaming event.

Peso Pluma & Tito Double P’s 'DINASTÍA (DELUXE)' sits at #7 with 10 million streams, expanding regional Mexican corridos with trap beats — it’s a reminder that US Latino audiences are reshaping the mainstream, not just participating in it.

Olivia Dean’s 'The Art of Loving' holds at #8 with 9 million streams, a soulful, intimate album that’s been quietly building since September 2025 — its slow-burn success suggests listeners are craving warmth and depth after a flood of loud releases.

Bad Bunny’s 'DeBÍ TiRAR MáS FOToS' remains at #9 with 8 million streams over a year after release, a testament to its cultural gravity as a Spanish-language trap album that refuses to fade — it’s now a streaming evergreen.

Baby Keem’s 'Ca$ino' rounds out the top 10 with 7 million streams, a lean, aggressive hip-hop project that’s more minimalist than his previous work — it’s sharp but feels like a placeholder before his next big swing.