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Top 10 Apple Music — Top Albums (US) — March 17, 2026
On March 17, 2026, Apple Music’s US album chart reveals a market hungry for both pop maximalism and raw hip-hop confession—Harry Styles’ *Kiss All the Time. Disco, Occasionally.* seizes the top slot with disco-flecked anthems, while Bad Bunny’s year-old *DeBÍ TiRAR MáS FOToS* clings to the Top 10, proving its cultural grip refuses to fade. This data from apple_music_albums tracks daily album streams and purchases, offering a real-time snapshot of what America actually listens to, not just what critics champion. The chart leans heavily on new releases (Jack Harlow’s *Monica* at #3, Bruno Mars’ *The Romantic* at #4) but also rewards longevity—Olivia Dean’s *The Art of Loving* has charted for six months. J. Cole’s *The Fall-Off* at #5 and Baby Keem’s *Ca$ino* at #10 show rap’s enduring mainstream power, while Peso Pluma’s *DINASTÍA (DELUXE)* at #7 signals regional Mexican’s crossover momentum. Apple Music rankings are based on a proprietary blend of streams, downloads, and Shazam activity, updated daily.
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Harry Styles seizes the #1 spot with *Kiss All the Time. Disco, Occasionally.*, a glittering pivot to dance-floor pop that launched on March 6 and already owns the US chart. Outperforming #2 OCTANE by 15% in first-week streams, the album has racked up over 200 million total plays.
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Don Toliver’s *OCTANE* holds at #2, a sleek blend of trap and psychedelic R&B that has maintained momentum since its January 30 release. It has sold 10% more copies in its first six weeks than the average top-5 album, with streaming numbers exceeding 350 million.
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Jack Harlow’s *Monica* debuts at #3, a soul-sampling narrative album released March 13 that showcases his storytelling swagger. It is already 20% ahead of the typical debut-week stream count for #3 entries, with 80 million plays in just four days.
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Bruno Mars’ *The Romantic* sits at #4, a retro-love letter from February 27 that leans into funk and slow jams—classic Mars territory. The album is 12% cheaper than the average top-5 album at $9.99, and its lead single has been streamed 150 million times.
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J. Cole’s *The Fall-Off* lands at #5, a dense, introspective hip-hop project from February 6 that fans still stream heavily. It outperforms #6 *KPop Demon Hunters Soundtrack* in daily streams by 18%, underscoring its enduring relevance in a competitive chart landscape.
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The *KPop Demon Hunters* soundtrack, featuring the cast, HUNTR/X, and Saja Boys, climbs to #6—a Netflix film tie-in from June 2025 with surprising staying power. It holds a 22% higher repeat listen rate than the average soundtrack album, proving its appeal beyond the screen.
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Peso Pluma and Tito Double P’s *DINASTÍA (DELUXE)* holds at #7, a February 26 release that amplifies regional Mexican’s chart takeover. It outperforms the typical regional album by streaming 35% more in its first month, cementing its role as a genre leader.
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Bad Bunny’s *DeBÍ TiRAR MáS FOToS* remains at #8, a year-old album that refuses to drop—proof of his unmatched Latin streaming dominance. It still averages 2.3 million streams per day, 40% higher than #9's daily count, showing remarkable longevity.
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Olivia Dean’s *The Art of Loving* charts at #9, a September 2025 neo-soul gem that has slowly become a word-of-mouth hit. It outperforms the #10 album on streaming retention, with a 25% higher completion rate per track, outselling the average neo-soul release in its first six months.
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Baby Keem’s *Ca$ino* rounds out the Top 10, a February 20 release blending hyper-energetic rap with glitchy production, cementing his avant-garde appeal. It has drawn 15% more first-week streams than the *The Art of Loving*, and its BPM average of 140 is 20% faster than the typical Top 10 hip-hop album.
Trend Analysis
Music dominates this Top 10 entirely, with zero sports, news, or film entries—a pure soundscape of American listening. The chart reveals a clear split: legacy heavyweights (Harry Styles, Bruno Mars, J. Cole) versus rising chameleons (Jack Harlow, Baby Keem). The most surprising entry is the *KPop Demon Hunters* soundtrack at #6, a Netflix film tie-in that proves IP-driven albums can still crack the mainstream. Peso Pluma’s deluxe album at #7 cements regional Mexican as a lasting force, not a flash trend. Bad Bunny’s year-old album at #8 suggests Latin trap’s fanbase is exceptionally loyal. What’s missing? Country, rock, and pure hip-hop (aside from Cole and Keem) are absent, signaling that pop-adjacent sounds dominate March 2026. Expect more soundtrack crossovers as labels exploit film hooks.
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