Top 10 Apple Music — Top Songs (GB) — March 16, 2026

Bella Kay’s “iloveitiloveitiloveit” lands at #2 with its hyper-repetitive, euphoric chorus; a January 2026 release that’s become a TikTok dance staple, pulling casual listeners into full-stream mode.

Sam Fender and Olivia Dean’s duet “Rein Me In” rides a nervy guitar line and the chemistry of two Geordie voices; the track’s #3 placement suggests Dean’s co-sign amplifies Fender’s rock base into pop territory.

Harry Styles’s “American Girls” arrives at #4 just ten days after release, a shimmering folk-rock ode that feels like a post-Harry’s House palate cleanser—its high debut signals immediate fan appetite for his new sonic chapter.

Dave & Tems’s “Raindance” holds steady at #5, a brooding meditation on success and guilt over a gospel-infused beat; its weeks-long endurance shows that socially conscious UK rap still commands loyal streams.

Harry Styles’s “Aperture” opens at #6, a synth-heavy, introspective track that contrasts sharply with “American Girls” and suggests a pivot toward art-pop—raised eyebrows among fans expecting another “As It Was” banger.

Olivia Dean’s “So Easy (To Fall In Love)” slides into #7, a breezy, jazz-kissed love song from the same album as her #1—rare for one artist to hold two top-ten slots simultaneously, underscoring Dean’s breakout moment.

PinkPantheress’s “Stateside (with Zara Larsson)” lands at #8, a featherlight drum-and-bass flip about transatlantic longing; its steady ascent proves her niche sound has widended beyond TikTok into full streaming playlists.

RAYE’s “WHERE IS MY HUSBAND!” storms to #9 with theatrical fury and a four-on-the-floor house beat; the title’s all-caps desperation mirrors its live performance energy, making this a rare rage-anthem in an otherwise tender top ten.

Alex Warren’s “Ordinary” rounds out the list at #10, a stripped-back acoustic ballad from September 2024 that just won’t quit—proof that a sincere, simple love song can outstream genre-benders when it nails a universal chord progression.

Bella Kay’s “iloveitiloveitiloveit” lands at #2 with its hyper-repetitive, euphoric chorus; a January 2026 release that’s become a TikTok dance staple, pulling casual listeners into full-stream mode.

Sam Fender and Olivia Dean’s duet “Rein Me In” rides a nervy guitar line and the chemistry of two Geordie voices; the track’s #3 placement suggests Dean’s co-sign amplifies Fender’s rock base into pop territory.

Harry Styles’s “American Girls” arrives at #4 just ten days after release, a shimmering folk-rock ode that feels like a post-Harry’s House palate cleanser—its high debut signals immediate fan appetite for his new sonic chapter.

Dave & Tems’s “Raindance” holds steady at #5, a brooding meditation on success and guilt over a gospel-infused beat; its weeks-long endurance shows that socially conscious UK rap still commands loyal streams.

Harry Styles’s “Aperture” opens at #6, a synth-heavy, introspective track that contrasts sharply with “American Girls” and suggests a pivot toward art-pop—raised eyebrows among fans expecting another “As It Was” banger.

Olivia Dean’s “So Easy (To Fall In Love)” slides into #7, a breezy, jazz-kissed love song from the same album as her #1—rare for one artist to hold two top-ten slots simultaneously, underscoring Dean’s breakout moment.

PinkPantheress’s “Stateside (with Zara Larsson)” lands at #8, a featherlight drum-and-bass flip about transatlantic longing; its steady ascent proves her niche sound has widended beyond TikTok into full streaming playlists.

RAYE’s “WHERE IS MY HUSBAND!” storms to #9 with theatrical fury and a four-on-the-floor house beat; the title’s all-caps desperation mirrors its live performance energy, making this a rare rage-anthem in an otherwise tender top ten.

Alex Warren’s “Ordinary” rounds out the list at #10, a stripped-back acoustic ballad from September 2024 that just won’t quit—proof that a sincere, simple love song can outstream genre-benders when it nails a universal chord progression.