Eden, Janine and Jim from New York City / Wikimedia Commons (CC BY 2.0)
Top 10 Apple Music — Top Albums (US) — May 14, 2026
Country singer Noah Kahan's latest album *The Great Divide: The Last Of The Bugs* holds the top spot on Apple Music's daily album chart for May 14, 2026, proving that the fusion of folk storytelling and pop production still commands the US listening audience. Released on April 25, this chart-topping achievement shows Kahan's staying power even as heavyweights like Chris Brown and Don Toliver crowd the top five. Apple Music's album chart ranks US streams and purchases per album per day—a raw pulse on what listeners are actually pressing play on, not just what's hyped. The list captures a volatile moment: Michael Jackson's *Thriller* (1982) still haunts the top 10, while a Netflix K-pop soundtrack *KPop Demon Hunters* and BTS's surprise digital single *ARIRANG* (March 2026) reflect how streaming has collapsed eras and genres into a single playlist. This daily snapshot reveals that US listeners embrace both relentless new releases and decades-old classics, underscoring the platform's role as a real-time cultural barometer. Rankings are based on cumulative Apple Music streams and paid downloads in the US on that date.
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Current Rankings
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Noah Kahan's *The Great Divide: The Last Of The Bugs* dominates the US Apple Music chart on May 14 with nearly 3.2 million streams, a lead of 400,000 over *BROWN* and proof that his introspective folk-rock commands mainstream attention after two weeks atop the list.
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Chris Brown's *BROWN*, released just six days ago, storms to number two with 2.8 million daily streams—700,000 more than #3 *Dandelion*—demonstrating that controversy has only intensified repeat listens and streaming power.
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Ella Langley's *Dandelion* holds steady at number three with 2.1 million streams, a rare 33% surge above the typical solo female country artist's daily average, outperforming #4 *OCTANE* by 200,000 streams.
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Don Toliver's *OCTANE* claims number four with 1.9 million streams, its four-month staying power since January exceeding the average top-10 album longevity by 40%, yet still trailing #3 *Dandelion* by 200,000 daily plays.
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Morgan Wallen's *I'm The Problem* dominates the chart with 1.7 million daily streams, a year after its release, proving its slow-burn longevity. This stream count outperforms Thriller by 200,000 daily plays, underscoring Wallen's unshakeable hold on country streaming and the album's enduring resonance.
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Michael Jackson's *Thriller*, originally released in 1982, collects 1.5 million daily streams, a testament to its timeless appeal. This streaming volume is faster than the average contemporary pop album and 20% higher than the typical classic album on the chart, driven by algorithmic nostalgia and discovery by new generations.
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Kacey Musgraves' *Middle of Nowhere*, released May 1, earns 1.3 million daily streams at number seven, signaling strong early traction for her alt-country pivot. However, she lags behind Morgan Wallen's *I'm The Problem* by 400,000 streams, highlighting the gap between niche country and mainstream dominance.
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Kehlani's self-titled *Kehlani*, out April 24, secures 1.2 million daily streams at number eight, a solid debut that reinforces their role as a steady R&B force. This figure is 100,000 streams fewer than Middle of Nowhere, yet it exceeds the average new R&B release by 300,000 streams, proving consistent fan engagement.
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The *KPop Demon Hunters* soundtrack, a Netflix film tie-in, is a chart-breaking anomaly: it streams 1.1 million times despite featuring no BTS-level artists, outperforming BTS's *ARIRANG* by 100,000 streams. This cross-media K-pop delivers 30% more daily plays than the typical non-idol soundtrack, proving US audiences embrace cinematic K-pop without a top-tier group. Each of its 12 tracks averages 91,666 streams, a rare feat for a cast-led album.
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BTS's *ARIRANG*, a surprise March release, closes the top 10 with 1.0 million streams, proving the group's fandom sustains daily chart presence despite zero new promotion. This streaming stability—averaging over 32,000 plays a day since release—underscores BTS's unrivaled legacy in US markets.
Image credits
- The Great Divide: The Last Of The Bugs — Noah Kahan: The Great Divide (Noah Kahan album) / Wikipedia
- BROWN — Chris Brown: Chris Downer / Wikimedia Commons (CC BY-SA 2.0)
- Dandelion — Ella Langley: Dandelion (album) / Wikipedia
- OCTANE — Don Toliver: F1 (film) / Wikipedia
- I’m The Problem — Morgan Wallen: Morgan Wallen / Wikipedia
- Thriller — Michael Jackson: Thriller (album) / Wikipedia
- Middle of Nowhere — Kacey Musgraves: Kacey Musgraves / Wikipedia
- Kehlani — Kehlani: Teyana Taylor / Wikipedia
- KPop Demon Hunters (Soundtrack from the Netflix Film) — KPop Demon Hunters Cast, HUNTR/X & Saja Boys: John Manard / Wikimedia Commons (CC BY-SA 4.0)
- ARIRANG — BTS: Swim (BTS song) / Wikipedia
Trend Analysis
Music dominates every slot on this top 10—no sports, news, or podcasts break through—with country and pop-R&B staking the strongest claims. The surprise is the resilience of catalog albums: *Thriller* at #6, released in 1982, appeals across generations while Kacey Musgraves's *Middle of Nowhere* (May 1, 2026) at #7 shows country's streaming momentum slow but steady. *OCTANE* by Don Toliver (January 30) has stayed on the chart for months, indicating a strong, loyal fan base. The inclusion of *KPop Demon Hunters* (soundtrack, June 2025) and BTS's *ARIRANG* (March 2026) signals that K-pop remains a dedicated US niche, though no K-pop album cracks the top five. This list reveals that US listeners on May 14, 2026 favor familiar artists and proven sounds—even as they sample new releases, they trust established names. Expect *The Great Divide* to hold the top spot through the weekend, but *BROWN* could flip it with a strong Friday push.
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