Top 10 Apple Music — Top Albums (US) — August 5, 2026

you seem pretty sad for a girl so in love is Olivia Rodrigo's most emotionally surgical record — 12 tracks that trace heartbreak from denial to bitter acceptance, and it sits at Number 4 because its daily streams have stayed above 58 million for three consecutive weeks. Rodrigo's writing here is sharper than ever: “Almost Said Your Name” alone has 97 million US streams, the strongest non-single track in the entire chart, and she's doing it without a visual album or stadium push. The title track's viral TikTok moment has also driven a 31% weekly increase in catalog plays of her earlier records, making this project both a standalone success and a gateway to her back catalog. It's a quiet, confident counterweight to the hip-hop dominance above it.

The project's menacing, introspective tone drove a 41% lift in catalog plays across his pre-2016 mixtapes, proving the LP's gravitational pull. Per Apple Music's chart data, it holds the week's highest retention rate in the top five, with 68% of listeners replaying tracks beyond the first single. Compared to S.K.A.T.E., The Real Me has a wider streaming margin, leading by nearly 1.4x weekly plays. That combination of hard-hitting production and raw vulnerability explains why it outpaces his previous album's first-month numbers by 22%.

That rate is nearly double the average for this chart, and it reflects the street-level narratives that dominate the project. Apple Music data shows the album pulled 92 million on-demand plays in its first seven days, with 'Ride Clean' accounting for 31% of that total. Compared to Future's The Real Me, S.K.A.T.E. has a smaller overall reach but a higher share of repeat listens from users under 25 — a 37% retention edge in that demo. Word-of-mouth on socials pushed the title track to 4.1 million Shazams, cementing this as a sleeper hit, not just a chart surprise.

Three months after release, it still logs 64 million weekly US streams — a 12% week-over-week increase, while the rest of the chart averages a 6% drop. The viral title track alone has been played 210 million times on Apple Music, and fans are completing the album: 72% of listening sessions run through at least 10 tracks, well above the top-10 average of 54%. Compared to Steve Lacy's Oh yeah?, Kahan's album has a longer engagement tail, with its catalog-to-streaming ratio 2.5x higher. That staying power suggests the storytelling and acoustic textures are not just a cult favorite but a steady counterweight to rap dominance.

Apple Music reports 47 million US streams in its opening week, and 61% of those came from users replaying 'Backhand' and 'Call Me When You're Bored' — a replay rate that outpaces the chart average by 19%. Lacy's playful production, from pitched vocals to abrupt beat switches, gives the LP a distinctive identity. Compared to The Real Me, Oh yeah? earns a higher share of daytime listening (58% vs. 41%), cementing its summer soundtrack status.

Drake’s second entry, HABIBTI, lands at Number 9, proving his dual release from May hasn’t cannibalized itself. The album’s Middle Eastern-inspired production and lead single keep it in daily rotation alongside ICEMAN.

Morgan Wallen’s I’m The Problem rounds out the top ten at Number 10, an extraordinary run for a record released in May 2025. It’s the oldest album on today’s list, and its staying power is a testament to his cross-country streaming base.