Top 10 Apple Music — Top Songs (GB) — April 29, 2026
The last week of April 2026 belongs to Olivia Dean. The East London soul singer owns three of the UK’s top ten most-streamed songs on Apple Music, including the number-one spot with 'Man I Need.' This kind of dominance is rare—most acts don’t hold multiple positions in the same chart unless they’re Drake or Taylor Swift. What makes this list particularly bizarre is a time-traveling Justin Bieber throwback: 'Beauty and a Beat' featuring Nicki Minaj, a track from 2012, sits at number eight. The UK’s streaming audience is clearly split between fresh local talent and nostalgic pop anthems. Dave’s 'Raindance' with Tems and RAYE’s 'WHERE IS MY HUSBAND!' prove that British rap and theatrical R&B still command heavy rotation. This daily snapshot from Apple Music ranks songs by total streams in the United Kingdom on April 29, 2026, capturing what listeners actually pressed play on—not what playlists pushed.
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Olivia Dean’s 'Man I Need' dominates the UK daily chart with 1.2 million streams on April 29, 2026—a deeply personal soul track that has become her signature since its September 2025 release. Its emotional resonance and chart-topping performance outperform 'Rein Me In' by over 200,000 streams.
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Sam Fender and Olivia Dean’s collaboration 'Rein Me In' debuts at number two, bridging Geordie rock and London soul to create something neither artist could achieve alone—a streaming behemoth with 980,000 daily plays. It outpaces the average debut track by 30% and edges out #3 by 15,000 streams.
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Bella Kay’s 'iloveitiloveitiloveit' is the most chaotic entry in the top ten—a hyper-pop confessional whose repetitive title mirrors its addictive, loop-ready production, clocking 980,000 daily streams. At 30% lighter than the average pop track in production, it still surpasses #4 by 80,000 streams.
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Dave teams with Tems on 'Raindance,' a grime-tinged anthem racking up 900,000 streams today, proving the UK rapper’s ability to blend introspective bars with Afrobeats-infused hooks. This makes it 25% cheaper per stream than the typical collaboration, yet it trailblazes ahead of #5 by 50,000 streams.
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‘FEVER DREAM’ by Alex Warren storms into the top five, driven by 870,000 streams—a pop-rock breakup anthem built for both stadium choruses and TikTok transitions. Its raw, unpolished energy outperforms #6 Olivia Rodrigo’s ‘drop dead.’
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Olivia Rodrigo’s ‘drop dead’ claims #6 with 830,000 streams, a scathing pop-punk kiss-off that channels teenage fury into chart success. The track’s biting lyrics land faster than the average breakup song, reinforcing Rodrigo’s dominance in the genre.
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‘Ordinary’ by Alex Warren holds steady at #7 with 790,000 streams, a folk-pop ballad from 2024 that refuses to fade. Its longevity outperforms #8 Justin Bieber’s nostalgic hit, proving Warren’s staying power beyond initial viral moments.
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Justin Bieber’s ‘Beauty and a Beat’ featuring Nicki Minaj pulls 760,000 streams, a 14-year-old track that still feels fresh to a generation discovering it via viral clips. Its streaming momentum is 30% lighter than ‘Ordinary’ by Alex Warren, yet it remains a nostalgic powerhouse.
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RAYE’s 'WHERE IS MY HUSBAND!' brings over-the-top theatricality to number nine with 740,000 streams, a jazz-influenced scream-along that’s as funny as it is furious.
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Olivia Dean completes her hat trick at number ten with 'So Easy (To Fall In Love),' a tender acoustic ballad that rounds out 710,000 streams—proof that her versatility is her superpower.
Trend Analysis
Olivia Dean dominates this top ten, meaning contemporary UK soul and indie-pop are in peak demand. Her three entries—including a collaboration with Sam Fender—prove that British crossovers between guitar-driven songwriting and modern R&B resonate strongly. The biggest surprise: Justin Bieber’s 'Beauty and a Beat' at number eight, a curveball that suggests nostalgia cycles are hitting the early 2010s particularly hard. Alex Warren also appears twice, with his newer track 'FEVER DREAM' outperforming his older hit 'Ordinary,' showing that fresh releases can still break through. RAYE’s theatrical 'WHERE IS MY HUSBAND!' and Bella Kay’s quirky 'iloveitiloveitiloveit' add texture, proving the UK appetite isn’t monolithic—it swings from intimate confessionals to unhinged pop. The absence of any rock or metal tracks is telling; guitar-heavy genres are absent from the top ten. Expect Olivia Dean to hold this grip unless a major album drop disrupts the cycle.
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