Clown mannequins that move between cuts. The basement footage feels genuinely wrong.
Stephen Cognetti's 2015 micro-budget film follows a haunted house attraction crew setting up in an abandoned hotel with a dark history. The clown mannequins that move between cuts are unsettling enough, but the basement footage — where something clearly responds to the crew's presence — crosses from fiction into something that feels genuinely wrong. It's the rare found footage film where the "why are they still filming?" question has a satisfying answer: they're professionals documenting their work.

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