#2
In the Mood for Love (2000)
In the Mood for Love (2000) is arguably the most visually sumptuous film ever made about unspoken longing. Wong Kar-wai and cinematographer Christopher Doyle shoot the narrow corridors of 1960s Hong Kong in a palette of crimson and emerald, using slow motion and 44 distinct costume changes to mirror repressed emotion. Unlike the epic sweep of Farewell My Concubine, this film crams a universe of feeling into 98 minutes, with every frame bearing a specific color temperature—often 3200K tungsten—to evoke intimacy.
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